Showing posts with label radio. Show all posts
Showing posts with label radio. Show all posts

Tuesday, 1 November 2011

'One Stop Digital' kick start new 'Radio Wizards' partnership



Seven radio producers – all based in the north of England – have joined forces to launch a new co-operative venture – ‘Radio Wizards’. It’s equally remarkable that their aim now is to work together on every kind of sound production… except radio! “It’s taken over a year to get to this point,” says ‘wizard’ Mike Thornton, “but now we’ve got a viable business plan, we’ve launched our website and we’re already starting to attract commissions. As a facilities provider we decided to facilitate this partnership and set them up with a web site to help kickstart this venture while our new partners worked out their pitches for every kind of business from visitor attraction guided-tours to management ‘webinars’ delivering audio-guides and podcasts to the highest production standards."

Says wizard Peter Everett, a veteran Radio 4 producer (and former editor) “We have been competitors until now, but we have a lot of respect for each other and between us we have an unbeatable range of skills, contacts and experience. The spoken word is the most important medium of communication, but it has to be used to maximum effect, and we know how to do that.”

One of the Wizards’ first customers is Sir Richard FitzHerbert of Tissington Hall in Derbyshire, who will feature a ‘favourite objects’ guide to this Jacobean mansion on his website.



The team is keen to design tours using a range of state-of-the-art technology. ‘For every visitor attraction, coach trip or travelling holiday there’s a perfect way to deliver an audio-tour,’ says Peter Everett. ‘For example in Australia, car hire companies are now offering a system where each point on the journey triggers a GPS signal and plays the appropriate audio on your stereo. Another way to do it is through QR coding, which will link the visitor’s own phone to an Internet audio source. A third approach might be to use an individual MP3-player that is so cheap to supply that it can be branded with a logo and sold as a ‘buy-it, use-it, take-it-home’ souvenir.’

What brought the Wizards together was an initiative by Vision and Media North-West, who had spotted that there’s a much bigger market for audio production skills than just radio broadcasting. V+M hosted a series of seminars with successful entrepreneurs in the advertising, games, digital and PR industries. After a dozen sessions it was clear that the commercial sector currently finds it hard to achieve top-class audio production, so the Wizards agreed it was time to sell their radio skills in a whole new marketplace.

Janet Graves of Pennine Productions adds: “We’ve all done bits and pieces in the commercial sector – for example, I’ve made oral history projects, Peter has produced coach-tour commentaries, and Mike has done infotainment podcasts for the drug company Pfizer. Combining our efforts will let us offer a one-stop shop for any kind of commercial audio production.”


Tuesday, 18 October 2011

Fast Train freelancer project to focus on radio


Radio Fast Train will be hosted by the BBC Academy in partnership with Skillset, and will be produced in association with The Radio Academy, Radio Independents Group, RadioCentre, and Community Media Association.
It will take place on 7 February 2012 and comprise a day of free training sessions for freelances and independents in the radio sector.
Acting head of the college of production Donna Taberer said: “Radio, like other parts of the media industry, is facing huge change.
“Radio Fast Train is a fantastic opportunity to discuss and learn new technology, new ways of working, inspire creativity and a chance to collaborate and share ideas for the radio of the future. It’s key for the Academy to engage with freelancers, indies and radio organisations.”
Radio Fast Train will centre on four themes: Ideas; Technology; Skills; and Business.
Sessions and masterclasses will include Visualising Radio, Audience and Social Media, Writing for Radio, and Managing the Talent.
The event will be project-managed by Debbie Kilbride, who won Sony Gold & Silver Awards for her work on BBC Radio 4 and Saturday Live, has worked in local, community & network radio for BBC Radios 1, 2 & 4 and in both production & interactive teams.
There will be opportunities for networking and the chance to meet the key players at BBC Radio.
More details, including how to register, will be announced over the coming months,
The event follows Fast Train for television in May 2011 - a training and networking event hosted by the Academy and sponsored by Skillset which attracted around 350 TV freelances to taster sessions and masterclasses - for free. 

Thursday, 24 February 2011

BBC Trust approves series catch-up for speech-based radio programmes

The BBC Trust has finally approved a catch up service so you won't loose the previous episode after 7 days....

Ever since 2002, when we started offering listeners the chance to hear radio programmes on demand via the original Radio Player, listeners have consistently asked to be able to catch up on all the episodes of series whilst that series is on air. There is nothing more frustrating, they told us, than getting interested in a serial in the third week and not being able to catch up on the first two parts which disappear after 7 days. In fact we became quite concerned that people might not even start listening to a serial if they felt they would not be able to keep up.

Read more....

Thursday, 3 February 2011

RAJAR figures good news for talk radio and BBC stations

John Plunkett in The Guardian has written....


Talk radio has never had it so good after an unlikely combination of government cuts, England's cricket tour of Australia, snow and the ever-enduring popularity of Premier League football propelled BBC Radio 5 Live and TalkSport to record audiences in the final three months of 2010. The two stations had a combined weekly audience of more than 10 million listeners in the fourth quarter of last year, according to official Rajar figures published today.

So sport is clearly a catalyst for talk radio but actually all the BBC national stations have improved their figures in this quarter....

Every one of the BBC's 12 national radio stations, including the BBC World Service, added listeners year on year. BBC Radio 3 was the biggest riser, up 18.2% to 2.216 million. BBC Radio 2 remained the nation's favourite station by some distance, up 3.5% to 13.943 million listeners, a 16.2% share of the audience, while BBC Radio 4 was up 4.9% on the year to 10.319 million, a 12.1% share. Radio 5 Live had its biggest-ever audience of 7.093 million listeners, up 16.2% on the same quarter in 2009. Not quite such good news at BBC Radio 1, which added listeners, up 6.1% year on year to 11.421 million, but saw its share of the audience fall to 8.8% – down from 9.8% a year ago – as people tuned in for less time.

However the digital stations haven't done so well....


BBC 6 Music, saved from the axe by the BBC Trust last year, was up 63.6% the final three months of 2009 to 1.137 million listeners, but its audience fell back from the previous quarter's record of 1.196 million. Digital sister station BBC Radio 7, which is due to be rebranded as BBC Radio 4 Extra, also saw its audience fall back on the previous quarter, down 10% to 941,000.

The BBC's total share of the audience was 55.3%, stretching its lead over commercial radio to 12.8%, up from 10.8% the previous quarter.

Digital radio listening reaches 25%

25% of all radio listening is now to digital platforms, like DAB, Freeview, on line, up just a fraction from 24.8 per cent last quarter.

Listening to DAB has also increased, by a similarly small amount, from 15.3 per cent to 15.8 per cent, whilst internet radio and digital television listening remain around the same mark.

So the digital lobby still has a long way to go to get all radio listeners to go digital. I believe DAB is a dying platform, the signal strengths of the current system mean that listening on portable sets inside is unreliable and car listening patchy, and as to the quality, don't get me started. More and more radio and audio listeners are choosing what, and more importantly, when they listen with services like podcasts. It would be interesting to see if the latest RAJAR figures have and breakdowns for deferred listening for podcasts.

Friday, 28 January 2011

Young Black & Muslim repeated including BBC World Service

I have just re-edited Young Black & Muslim for transmission in the Heart & Soul slot on the BBC World Service.

Young, Muslim And Black (Heart And Soul)

Next on: Wednesday, 12:32 on BBC World Service

Broadcasts

  1. Wed 2 Feb 2011 12:32 BBC World Service
  2. Wed 2 Feb 2011 16:32 BBC World Service
  3. Thu 3 Feb 2011 00:32 BBC World Service
  4. Thu 3 Feb 2011 04:32 BBC World Service
The programme originally transmitted on Dec 19th was repeated on Radio 4 on January 17th 2011. It has also had airings on BBC Radio 5 Live and BBC Radio London.

Even coming back to this programme nearly 2 months later it was still very interesting that young black people wanted the boundaries that they find in the Islamic faith and a guide to live my that isn't controlled by money or drugs.

If you haven't heard this programme already then do try and catch in on World Service. Remember BBC World Service is available on Freeview 24 hours a day so you can listen to it during the day here in the UK.

Sunday, 26 December 2010

Belief on Radio 3 - a great listen

Even though I edited them I can really recommend all this series of Belief with Joan Bakewell produced by Dawn Bryan that go out on Radio 3 over the next 5 days starting with Chris Patten today.


  1. Lord Patten talks to Joan Bakewell about his Catholic faith.  - Chris Patten tells some wonderful stories including one about his time as Northern Ireland Secretary with his Anglican wife.
  2. Choreographer Akram Khan talks to Joan Bakewell about his Muslim upbringing. Akram is such a gentle soul and I really enjoyed his approach to art and creativity.
  3. Biochemist Denis Alexander talks to Joan Bakewell about his Christian faith and science. - Denis may be a scientist but based on this programme he can run rings round any theologian and his faith is worked out in the grey parts of the world like when doing human stem cell research and the use of embryos.
  4. Ecologist and former monk Satish Kumar talks to Joan Bakewell about his Jain beliefs. - At first I thought Satish was  bonkers with some of the extreme Jain beliefs about not harming animals so needs to work everywhere, but when you strip back some of this more wacky ideas here is a man who clearly cares about the environment and is trying to live his ideas out in reality.
  5. Writer Bonnie Greer talks to Joan Bakwell about what she believes and why.- I just love the sound of her voice, and here experiences in America are well worth a listen.

It is a real shame these won't get a wider audience on Radio 4 perhaps. But with the magic of iPlayer do take a listen if you possibly can.

Sunday, 28 November 2010

BBC enlists commercial sector help to shake up radio


Mr Myers has been tasked with reviewing the operations at core BBC stations including Radio 1, Radio 2, 6 Music and 1Xtra. The review could lead to a major shake-up of the way BBC Radio operates and is one attempt at ending constant accusations of a "bloated" BBC. In recent years, the commercial sector has heavily criticised the BBC for spending more than is necessary to operate a radio business.
The BBC Trust wants the core radio stations to deliver value for money to the licence fee payer, while operating as efficiently as possible. Mr Myers will spend the first three months of 2011 undertaking the review. As a result of his commitments at the BBC, he will not begin his new role as chief executive of the Radio Academy until April. "I can confirm that as part of our ongoing drive to ensure value for money we have asked independent consultant John Myers to help us in reviewing the efficiency of our radio operations. He will be working with us between January and March 2011," said a BBC spokeswoman A source familiar with the situation said that the BBC wanted to hire someone primarily with commercial sector expertise, but needed to ensure that person was not a "BBC hater". 

It is an interesting development am I not sure what I make of it. He is only reviewing the stations that compete with the commercial sector  but arguably that is all he is qualified to advise on. But when you look at the budgets will it make any real difference.


Radio 1
10.8 million weekly listeners, budget £43m, cost per user per hour 0.6p

Radio 2
13.3 million weekly listeners, budget £50.7m, cost per user per hour 0.5p

Radio 3
2 million weekly listeners, budget £51.1m, cost per user per hour 6.3p

Radio 4
9.7 million weekly listeners, budget £108.6m, cost per user per hour 1.3p

Radio 5 Live
6 million weekly listeners, budget £72.2million, cost per user per hour 2.3p

6 Music
0.7 million weekly listeners, budget £9m, cost per user per hour 3.4p

Radio 5 Live Sports Extra
0.7 million weekly listeners, budget £3.7m, cost per user per hour 2.6p

Radio 7
0.9 million weekly listeners, budget £6.9m, cost per user per hour 2p

Asian Network
0.4 million weekly listeners, budget £12.1m, cost per user per hour 6.9p

Radio 1Xtra
0.6 million weekly listeners, budget £9.6m, cost per user per hour 4.5p

The channels he is going to look at total £12.3m which is only just above the Radio 4 budget and the cost per listener for Radios 1 & 2 is already small so it makes me think this process is just to pacify the commercial sector.

Tuesday, 19 October 2010

Multi-Station Radioplayer to launch in December

The Multi-station platform Radioplayer is to be rolled out from December, launching with 50 stations, the chairman of the project has announced. Speaking at the Radio Festival in Salford, Andrew Harrison – chief executive of RadioCentre – revealed the “full consumer launch” of the online service would take place in February, with at least 200 stations including all BBC channels and Ofcom-regulated networks.

Michael Hill, Radioplayer’s managing director, demonstrated a test set for delegates.  He described it as “a defining moment for UK radio”, adding: “We hope all broadcast stations, of all sizes and types, will participate.”

Listen to Michael Hill talk about it to Mark Rock CEO of AudioBoo on AudioBoo...

Listen!

Tim Davie, director of BBC Audio and Music, added: “It is a result of genuine collaboration across the industry and is the sort of innovation we need to make digital radio a reality.”

Thursday, 26 August 2010

Independent radio producers say BBC Trust has not gone far enough

John Plunkett in The Guardian has reported the initial responses from the radio independent producers to the publication of the report into the BBC's treatment and quotas for indies in the radio sector.

Independent radio producers have criticised the BBC Trust's review of BBC radio commissioning, saying it was "short-sighted, complacent and contradictory". While giving a cautious welcome to the tone of the trust's report yesterday and its decision to extend the amount of BBC programming available to independent producers with a 10% window of creative competition, the Radio Independents Group said it was "very disappointed" by the scale of the change. The group had asked for a 25% minimum independent quota and a 25% window of creative competition. The trust said the minimum independent quota should remain at 10%.

The Radio Independents Group's (RIG) statement continues...

We welcome the introduction of a WOCC (Window Of Creative Competition) of 10% across all networks and are confident that, provided the appropriate commissioning structures are in place and monitored effectively, RIG members will compete effectively and win the majority of open tenders.
We are however very disappointed by the scale of change. We had proposed an increase in the quota (currently around 8.4% in real terms) to a statutory 25% and the introduction of a 25% WOCC. This would have been consistent with TV commissioning which works well for the benefit of license fee payers. The trust states that radio audiences register high levels of appreciation and increasing the indie quota risks adversely affecting this. We believe this is short sighted, complacent and contradictory to some of the trust's own recent network reviews. We believe that maintaining the status quo offers a greater risk. Any organisation wishing to equip itself for future challenges would seek to move forward, rather than protect it's current position – the licence fee payer would expect no less.

I am completely with RIG on this. It is OK for TV to have a 25% quota and a further 25% WoCC but The Trust saying

a reduction in the BBC's in-house operations to a guaranteed minimum of 50% of output "would cause great instability"

is crazy. Why will it cause instability for the radio sector and not the TV sector. Surely the issues were very similar when these quotas were introduced into the TV sector, and it is still here!  Also it wouldn't be a guaranteed minimum of 50% of output, the guarantee is only for 25% with the opportunity to pitch for up to another 25% but that is by no means guaranteed.

"We believe that maintaining the status quo offers a greater risk. Any organisation wishing to equip itself for future challenges would seek to move forward, rather than protect it's current position – the licence fee payer would expect no less."

Absolutely if the independent sector isn't given the oportunity to grow it will never get out of the 'cottage industry' status that it is currently. It is very hard to make a viable business out of independent radio programme making. The BBC is the only client in town and David Liddiment, chair of the trust's audiences and performance committee, said

the BBC's radio services were both popular and distinctive [and] make a vital contribution to the public purposes. However, this review has shown that the BBC's approach to commissioning from the sector does not always work as well as it should. Putting more of the programmes up for grabs will help promote competition for the best ideas, wherever they come from. That will be good for licence-fee payers, whose interests the trust is here to serve. And we are particularly keen to see a much more open and fair approach to commissioning from the independent sector."

If you want to increase the diversity and make it open and fair you need a large pool of smaller independent producers. In order to have a sustainable business they need a reasonable number of commissions to get some form of economy of scale. This level of quotas won't do it.

Wednesday, 25 August 2010

BBC Trust plan to open up 10% of BBC radio output on top of independent quota mirrors TV 'window of creative competition'

John Plunkett in The Guardian has published details of the review that the BBC Trust has undertaken into the relationship between radio based independent producers and the BBC.

[The Trust] has announced plans that a further 10% of BBC radio programming will be opened up to independent programme-makers on top of the 10% quota that is already guaranteed to the sector.
 But the 10% isn't currently guaranteed, it is a voluntary quota!
The extra 10% – which can be competed for by both in-house and independent producers – will mirror the window of creative competition, or WoCC, which already exists in BBC TV.
As someone who took part in that review it is a step forward but I wouldn't call it a victory. The BBC by restricting the amount of commissions to 10% and a 10% of  WoCC isn't going to make a huge difference. The best would be a doubling of commissions available to the independent sector, the worst case scenario is no change as the BBC decides to commission all the 10% WoCC from in house. The Guardian report continues...
The trust called for a "step change in the way in which the BBC operates" in commissioning programmes from the independent radio sector. It said the relationship had become "strained" and called for the BBC to be "more open and transparent" in its dealings with outside producers. "Urgent improvement" was required, it said. The BBC has exceeded its 10% voluntary indie quota in all but one of the last 10 years. 
I am not sure I agree with that statement.
But the trust said competition for the best ideas "has not been consistently embraced by the BBC in radio". It said it was "concerned" by the BBC's current approach commissioning, with tightly defined supplier lists that "may restrict the range and diversity of those who supply content to the BBC". Independent radio producers had called for a minimum 25% quota and a further 25% WoCC, as operates in BBC TV. But the trust stopped well short of such an increase, saying a reduction in the BBC's in-house operations to a guaranteed minimum of 50% of output "would cause great instability".
But if the independent sector doesn't get a larger quota it can't expand and develop. To put it simply there isn't a viable living to be made.
The trust also criticised BBC management after it "encountered difficulties in conducting this review due to the lack of detailed information being collected". "We are therefore looking to the executive to better develop the way in which it monitors its obligations, particularly with regards to how range and diversity might be assessed in the trust's next review."

David Liddiment, chair of the trust's audiences and performance committee, said the BBC's radio services were "both popular and distinctive [and] make a vital contribution to the public purposes".
"However, this review has shown that the BBC's approach to commissioning from the sector does not always work as well as it should. "Putting more of the programmes up for grabs will help promote competition for the best ideas, wherever they come from. That will be good for licence-fee payers, whose interests the trust is here to serve. And we are particularly keen to see a much more open and fair approach to commissioning from the independent sector."
Well I am not impressed with this outcome. I was really hoping the radio sector would get parity with the TV sector, but I am pleased to see the Trust reporting their dissatisfaction with the way the BBC deals with radio indies. But again I wait to see what effect this will have on the way BBC Radio works with the indie sector.

Thursday, 5 August 2010

Radio listening in the last 2 months reaches a 10 year high

The RAJAR audience research figures are now out and the headline story is that radio listening overall is at its highest level for more than a decade largely due to the general election and world cup coverage all landing in the same quarter.  Mark Sweney in The Guardian says...

According to figures released today by radio audience measurement body Rajar, an average of 46.8 million adults tuned in to their favourite radio stations each week during the period. This equates to 90.6% of the UK population over the age of 15.

Radio 1 pulled in a record audience of 11.81 million listeners, up 4.1% year on year and 0.6% quarter on quarter. The station's share was 9.3%.
Radio 2 attracted 13.73 million listeners on average each week, up 2.3% year on year but down 5.8% quarter on quarter. Its share was 15.9%.
There was less positive news at BBC Radio 3, which reported an average audience of 1.86 million, down 8.1% year on year and 8.2% quarter on quarter.
Radio 4 also passed several milestones: it had a record average weekly audience of 10.4 million in the quarter, with its best ever audiences for shows including Today, PM and The Archers.
Radio 5 Live reported its biggest audience since its launch in 1990, with a weekly reach of 6.76 million listeners, up 5.4% year on year and 4.4% quarter on quarter. Its share was 4.8%.
6 Music has shown why it needed to be saved, by doubling increasing its audience for the second quarter running, according to Steve Busfield in The Guardian...

The digital radio station, which was controversially proposed for closure before being saved by the BBC Trust, has seen its average weekly audience double since last year to a record 1.194 million for the three months to the end of June, according to Rajar figures published today.

However commercial radio were also spinning how good the results were for them. Radio Today report the results very differently....

For commercial radio, audiences have grown by nearly 1 million listeners (905 000) across the year, with the number of listeners tuning into a commercial radio service increasing to 32.8 million, the highest commercial reach recorded in the last decade and the fourth consecutive quarter of growth.

Andrew Harrison, Chief Executive, RadioCentre, said: “This is a fantastic set of results for the commercial radio sector showing long-term and sustained growth by every measure. The fact that commercial radio reach has hit a new record high and listening is up by almost 27 million hours in the quarter, is a testament to the investment that the sector is ploughing into ensuring that our content stands out from our competitors.

All BBC Radio listening is down - with weekly reach dropping from 34.88m last quarter to 34.59m this quarter. BBC share remains the same, ahead of commercial radio at 56.5 per cent.

Weekly reach and share for digital listening on DAB has seen a slight increase this quarter, with digital TV, internet and other devices either remaining static or increasing. Year-on-year figures are more encouraging with an 11 per cent increase in weekly reach. This means 20 million people now tuning in to radio via a digitally enabled receiver each week (up from 18 million in Q2, 2009).

Home ownership of DAB radio is up to 35.3 per cent (from 33) but listening via a mobile phone is down for 15-24 year olds and static for 25+.

Whatever way you look at these figures, and I am sure we will see them dissected in minute detail over the coming days and weeks, it has got to be good news for radio industry.

Friday, 23 July 2010

Would you like to listen to some of my handiwork?

Hitler's Muslim Legions is a history documentary I worked on with Jenny Chryss about use of Muslim recruits to strengthen the German army in the second world war. This is from the BBC web site.


It was after Germany's invasion of Yugoslavia and the Soviet Union in 1941 that Hitler's attention was first drawn to the potential for Muslim recruits to swell his ranks. For the many thousands of captured Soviet Muslims, the opportunity to serve in the Wehrmacht offered an escape from the brutality and starvation of the prison camps. Elsewhere, a major recruitment drive amongst Bosnian Muslims led to tens of thousands signing up for the Waffen-SS. Formed into exclusive Muslim units, these men fought in some of the most brutal campaigns of the entire war. This programme investigates why Hitler and Himmler apparently cast aside their Nazi ideal of an Aryan master race, justifying the admission of Islam into their ranks. It asks what attracted these men to fight for the Third Reich, how they were treated by their German officers and how they conducted themselves in the bedlam of war. Were they hopeless soldiers who committed unspeakable atrocities; or did they fight bravely for the Fuhrer? We examine the fate of these Muslims at the end of the war. With Hitler dead and the Third Reich defeated there was nothing to protect them, and most were killed as traitors.
Presented by Julian O'Halloran.
Producer: Jennifer Chryss
A Juniper production for BBC Radio 4.

The story was a revelation to me and you will hear an eyewitness account from a German, now in his 80s, who lived and worked with Muslim soldiers when he was 19.

For more on the background to the programme go to the Radio 4 blog to read a post from Samir Shah who is the Executive Producer of Hitler's Muslim Legions.

The programme goes out on Monday 26th July on BBC Radio 4. If you miss it then pick it up on the iPlayer.

Friday, 16 July 2010

Finished working on this year's series of The Choice for BBC Radio 4

I have just finished editing and uploading the series of 4 "The Choice" produced by Dawn Bryan. Still can't tell you who the interviewees are yet as Radio 4 have yet to announce them but they are another excellent set of stories all very different from each other. They are due to go out from August 12th.
Michael Buerk interviews people who have made life-altering decisions and talks them through the whole process, from the original dilemma to living with the consequences.

Gwyneth Williams appointed BBC Radio 4 controller

Following on from my earlier posts here and here the BBC has announced that Gwyneth Williams is to be appointed to replace Mark This from John Plunkett of The Guardian....


A senior BBC World Service executive, Gwyneth Williams, has been appointed as the new controller of BBC Radio 4. Williams, who began her BBC career in 1976 and was most recently responsible for the World Service's international radio programmes in English, will succeed Mark Damazer in the autumn.
She will also oversee the digital radio station BBC Radio 7, which is being rebranded Radio 4 Extra with closer ties to its parent speech station.
Williams was previously head of radio current affairs, responsible for programmes such as File On 4, Analysis and From Our Own Correspondent, as well as editor of the Reith lectures.
She began her career in Bush House as a trainee talks writer for the World Service in 1976. She went on to become producer and duty editor of the World Tonight and deputy editor, special current affairs programmes, overseeing election coverage. She was editor of policy and social programmes from 1994 to 1996 and oversaw the launch of current affairs programmes on BBC Radio 5 Live, edited Radio 4's The Week in Westminster and worked briefly for BBC1's On The Record. She has also been editor of foreign affairs radio and the bi-media editor for home current affairs.

Wednesday, 7 July 2010

Working on a new series of "What's The Point of.." for Radio 4

I have recently started work on another series of What's The Point Of.. for BBC Radio 4, where Quentin Letts takes a look at whether there is still a need for some of our national institutions.

Last year Quentin took a witty but thought provoking look at the British Zoo, Gibraltar, Formula One motor racing & The Privy Council.



As with the new series of The Choice I can't tell you what Quentin will be investigating this series until they are published.

Tuesday, 29 June 2010

Working on the new series of The Choice on Radio 4

Yesterday I started work editing the new series of The Choice for Radio 4.

Michael Buerk interviews people who have made life-altering decisions and talks them through the whole process, from the original dilemma to living with the consequences.

I can tell you its going to be another excellent engaging series produced by Dawn Bryan for BBC Religion & Ethics but as yet, I cannot say who is on what the stories are this year as nothing has been announced. As soon as it is, I will keep you posted.

Saturday, 26 June 2010

Would you like to listen to my handiwork?

BBC Radio 4 are repeating a programme "The Greed Imperative" I worked on with Rosemary Foxcroft first broadcast on 23rd May 2010. The repeat goes out on Monday 28th June 2010 at 11am.

Having worked in the City before becoming an academic and a nun, Dr Catherine Cowley is well acquainted with the temptations and the financial risks that city workers face each day. Dr Cowley questions whether money is the only motivation for those who work in the City and discusses whether greed is in fact a necessary and vital dynamic behind a successful economy.
Is greed linked to the endless growth demanded by our capitalist society? Dr Edward Skidelsky, lecturer in Philosophy at Exeter University, says that the economists in the past assumed that growth was a process with an end, and once that end came, people would enjoy the fruits of wealth. And as Karl Marx put it, "we'd hunt in the morning, fish in the afternoon and discuss poetry in the evening".
Although the finance sector at the moment is being characterised as a hotbed of greed, would any of us, given the opportunity and the circumstances, act any differently? Are we focusing on bankers' greed so we don't have to look at our own?


Do catch it if you can otherwise catch it on iPlayer next week.

Monday, 21 June 2010

Radio 4 is pulling the plug on its Friday Play

Les Benedictus has written a very comprehensive article on this but also going into the background of radio drama, past, present and future. The article is well worth a read.

The reason, of course, is cost. At £23,000 per hour, the BBC spends on radio drama about one 40th of what it might pay for an hour of television. Hampton's White Chameleon is a marquee production for Radio 4, and yet there are no White Chameleon baseball caps, no Dionysian trailers, no egos being massaged (no time). Gather its entire cast and crew together, and you would not have enough people for a football match. This, BBC bosses argue, is why Radio 4's main evening slot, the Friday Play, will cease to exist from next year; it was either save there, where the audience is smallest, or cut everything else beyond the bone.

It is a shame that Radio 4 are having to drop The Friday Play but there is still a lo of drama on Radio 4 with The Afternoon Play, the Womans Hour serial, etc.

Les goes on to look at the future especially on line of radio drama....


Is there anybody out there? Radio drama beyond the BBC
The BBC has such a grip on radio drama in Britain that it's easy to forget about the alternatives.
Ireland's RTÉ still podcasts a Sunday Playhouse each week – go to rte.ie/radio1/drama. If you speak French you may also find something worthwhile on Arte Radio (arteradio.com).
There is a rich online supply of radio plays from the 1940s and 1950s. You can find mystery plays from Orson Welles at cjkell.squarespace.com; classic drama at classicdrama.libsyn.com; and kids' entertainment featuring Space Heroes at spaceheroes.libsyn.com.
By far the busiest group of original audio dramatists, however, are the small-scale podcasters. For the most part, this means science fiction, fantasy and mystery stories – try the Pendant Productions website (pendantaudio.com). For a polished zombie drama podcast go to zombiepodcast.com. Mystery stories can be heard at olinemysteries.com and wormwoodshow.com. One well-regarded (and British) ghost story series from 2006 is still available at paranormalists.co.uk.
You can find well-packaged guides to what else is out there at audiodramareview.blogspot.com and radiodramarevival.com. And it's all free.
Yes it may be free but how are actors, writers, technicians and producers going to pay the mortgage?

Monday, 14 June 2010

Want to listen to some of my handiwork

2 of the programmes I have worked on recently for All Out Productions have both been featured on Radio 4's "Pick of the Week" this week.

Hardeep Singh Kohli makes his selection from the past seven days of BBC Radio.  It's difficult in a week festooned with the frivolity of football NOT to mention the beautiful game. Hardeep Singh Kohli's Pick of the Week selects some more unusual angles on the game from as far afield as Milan, Robben Island and the Highlands of Ethiopia. There's a beautiful feature about the tragic demise of Schumann, an exploration of the iconic interviewing skills of David Frost and Nicholas Parsons recalling his days in Glasgow. The picks the week.

Today - Radio 4
The Power and the Passion - World Service
Football's Freedom Fighters
The Carabinieri Art Squad - Radio 4
Thoroughly Modern Mary - Radio 4
Philip and Sydney - Radio 4
Start the Week - Radio 4
Hello, Good Evening and Welcome - the David Frost Story - Radio 4
High Hopes - Radio 4
The eSportsmen - Radio 4
Doon the Watta - Radio 4
If I Loved You - Radio 4
Robert Schumann and the Music of the Future - Radio 4
Home Thoughts From Abroad - Radio 4

Firstly "Football's Freedom Fighters" produced by Jo Meek

When South Africa's Bafana Bafana kick the first ball of the 2010 World Cup on the 11th June in Johannesburg's revamped Soccer City stadium there will be several men in the crowd who's appreciation of the match will stretch well beyond national pride.

For Mark Shinners, Anthony Suze, Sedick Issacs, Lizo Sitoto and Sipho Tshabalala this is the completion of a long journey that started for them in the 1960s, when they first started playing the beautiful game on a rough football pitch on one of the ugliest islands on earth.

We hear how the Makana Football Association was formed, based on the principles of collective discipline and fair play. A 16-year-old Dikgang Moseneke was elected Chairman, an act that underlined the Association's commitment to excellence and FIFA-like technical rigour. We speak to Mr Moseneke, now 63 and the current Deputy Chief Justice of the Constitutional Court of South Africa, about how the football pitches of Robben Island were the training ground for the leaders of the future.

As the World Cup starts in South Africa, Fergal Keane travels to Robben Island with these men to the pitches where some of the country's most prominent political leaders now used football to create a space of dignity, respect and democracy at the infamous prison.

and then the first part of a 3 part series "Doon the Watta" produced by Lyndon Saunders.

Nicholas Parsons was only just 16 when his parents sent him from his relatively privileged home in London to the industrially hardened city of Glasgow. It was January 1940 and with the country still at war, the Parsons felt the best place for their teenage son was serving his country north of the border. So with the help of an uncle, Nicholas secured an engineering apprenticeship on the busy River Clyde. For 5 years he combined his studies at Glasgow university with work for the Drysdales firm.

60 years on Nicholas Parsons goes back to the place where he was sent as a boy but grew into a man. By day he had a tough education from the uncompromisingly tough men of the Clyde, but by night he had the freedom to discover his talents on stage and perform to packed out theatres and concert halls full of the men with whom he was clocking on and off.

In this series Nicholas returns back to Glasgow and retraces the life he once had, starting his journey in the YMCA digs he came to call home.

He'll also revisit Glasgow University and the department of Engineering where he studied. It's still at the centre of expertise in teaching and research in shipbuilding today. He'll find out how the profession of shipbuilding has changed.

Enjoy some excellent radio even if I say so myself, but I think I can safely say the Pick of the Week team agreed!